The Invincible

The Life of Bruce Lee

Bruce Lee (born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese American.Hong Kong actor, martial arts instructor, philosopher, film director, film producer, screenwriter, and founder of the Jeet Kune Do martial arts movement. He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist, and a cultural icon..Lee was born in San Francisco to parents of Hong Kong heritage but was raised in Hong Kong until his late teens. Lee emigrated to the United States at the age of 18 to claim his U.S. citizenship and receive his higher education. It was during this time that he began teaching martial arts, which soon led to film and television roles.

His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked a major surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world, as well. He is noted for his roles in five feature-length films: Lo Wei's The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers' Enter the Dragon (1973), directed by Robert Clouse; and The Game of Death (1978), directed by Robert Clouse.

Lee became an iconic figure known throughout the world, particularly among the Chinese, as he portrayed Chinese nationalism in his films. He initially trained in Wing Chun, but he later rejected well-defined martial art styles, favouring instead to use techniques from various sources in the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist).

Wing Chun

Bruce Lee with Yip Man

The largest influence on Lee's martial arts development was his study of Wing Chun. Lee began training in Wing Chun at the age of 13 under the Wing Chun teacher Yip Man in 1954, after losing a fight with rival gang members. Yip's regular classes generally consisted of the forms practice, chi sao (sticking hands) drills, wooden dummy techniques, and free-sparring. There was no set pattern to the classes. Yip tried to keep his students from fighting in the street gangs of Hong Kong by encouraging them to fight in organized competitions.

After a year into his Wing Chun training, most of Yip Man's other students refused to train with Lee after they learnt of his ancestry (his mother was half Chinese and half Caucasian) as the Chinese generally were against teaching their martial arts techniques to non-Asians Lee's sparring partner, Hawkins Cheung states, "Probably fewer than six people in the whole Wing Chun clan were personally taught, or even partly taught, by Yip Man". However, Lee showed a keen interest in Wing Chun, and continued to train privately with Yip Man and Wong Shun Leung in 1955.

Bruce Lee with his master Yip Man

Jun Fan Gung Fu

Lee began teaching martial arts in the United States in 1959. He called what he taught Jun Fan Gung Fu (literally Bruce Lee's Kung Fu). It was basically his approach to Wing Chun. Lee taught friends he met in Seattle, starting with Judo practitioner Jesse Glover, who later became his first assistant instructor. Lee opened his first martial arts school, named the Lee Jun Fan Gung Fu Institute, in Seattle.

Lee dropped out of college in the spring of 1964 and moved to Oakland to live with James Yimm Lee (嚴鏡海). James Lee was twenty years senior to Bruce Lee and a well-known Chinese martial artist in the area. Together, they founded the second Jun Fan martial art studio in Oakland. James Lee was also responsible for introducing Bruce Lee to Ed Parker, royalty of the U.S. martial arts world and organizer of the Long Beach International Karate Championships at which Bruce Lee was later "discovered" by Hollywood.

Jeet Kune Do

Jeet Kune Do originated in 1967. After filming one season of The Green Hornet, Lee found himself out of work and opened The Jun Fan Institute of Gung Fu. A controversial match with Wong Jack Man influenced Lee's philosophy about martial arts. Lee concluded that the fight had lasted too long and that he had failed to live up to his potential using his Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalistic to be practical in scenarios of chaotic street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency". He started to use different methods of training such as weight training for strength, running for endurance, stretching for flexibility, and many others which he constantly adapted, including fencing and basic boxing techniques.

Lee emphasised what he called "the style of no style". This consisted of getting rid of the formalised approach which Lee claimed was indicative of traditional styles. Lee felt the system he now called Jun Fan Gung Fu was even too restrictive, and eventually evolved into a philosophy and martial art he would come to call Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later regret, because Jeet Kune Do implied specific parameters that styles connote; whereas the idea of his martial art was to exist outside of parameters and limitations.

Fight history

Lee defeated three-time champion British boxer Gary Elms by way of knockout in the third round in the 1958 Hong Kong Inter-School amateur Boxing Championships by using Wing Chun traps and high/low-level straight punches.

The following year, Lee became a member of the "Tigers of Junction Street," and was involved in numerous gang-related street fights. "In one of his last encounters, while removing his jacket the fellow he was squaring off against sucker punched him and blackened his eye. Bruce flew into a rage and went after him, knocking him out, breaking his opponent's arm. The police were called as a result". The incident took place on a Hong Kong rooftop at 10 pm on Wednesday, 29 April 1959.

In 1962, Lee was challenged by a man who had been holding a grudge against Lee while the two were practicing at a YMCA in Seattle. The man was described by Jesse Glover as a karate man who also had a black belt in judo, though Glover, who was a brown belt in judo at the time, claimed to be better than the man in judo. After weeks or months of provocation by the man, Lee agreed to fight the man for three two-minute rounds, with the winner being the one who knocked the opponent down or out in two out of three rounds.

The match took place at YMCA's handball court, with Glover as the referee and Ed Hart as the time keeper. Lee wore street clothes and used a Wing Chun stance while his opponent wore a gi and used a karate stance. According to Glover, Lee used his right forearm to deflect an initial kick from the man and simultaneously landed a left punch to the face. Lee deflected more punches using the forearm, controlling the center line and landed more punches to the man's face until he was against the wall. The man attempted to grab Lee's arms, which Lee responded by a double fist punch to the face and chest, followed by a kick to the nose, which produced a nosebleed and a knockout, at which time Glover stopped the fight. Taki Kamura said the fight lasted 10 seconds. Ed Hart stated "the fight lasted exactly 11 seconds – I know because I was the time keeper – and Bruce had hit the guy something like 15 times and kicked him once. I thought he'd killed him".

In Oakland, California in 1964 at Chinatown, Lee had a controversial private match with Wong Jack Man, a direct student of Ma Kin Fung known for his mastery of Xingyiquan, Northern Shaolin, and T'ai chi ch'uan. According to Lee, the Chinese community issued an ultimatum to him to stop teaching non-Chinese. When he refused to comply, he was challenged to a combat match with Wong. The arrangement was that if Lee lost, he would have to shut down his school; while if he won, then Lee would be free to teach Caucasians or anyone else. Wong denied this, stating that he requested to fight Lee after Lee issued an open challenge during one of Lee's demonstrations at a Chinatown theatre, and that Wong himself did not discriminate against Caucasians or other non-Chinese. Lee commented, "That paper had all the names of the sifu from Chinatown, but they don't scare me".

Individuals known to have witnessed the match included Cadwell, James Lee (Bruce Lee's associate, no relation), and William Chen, a teacher of T'ai chi ch'uan. Wong and witness William Chen stated that the fight lasted an unusually long 20–25 minutes. According to Bruce Lee, Linda Lee Cadwell, and James Yimm Lee, the fight lasted 3 minutes with a decisive victory for Lee. "The fight ensued, it was a no-holds-barred fight, it took three minutes. Bruce got this guy down to the ground and said 'do you give up?' and the man said he gave up" – Linda Lee Cadwell.

Wong Jack Man published his own account of the battle in the Chinese Pacific Weekly, a Chinese-language newspaper in San Francisco, which contained another challenge to Lee for a public rematch. Lee had no reciprocation to Wong's article, nor were there any further public announcements by either, but Lee had continued to teach Caucasians.

Acting career

Bruce Lee's star at the Avenue of Stars, Hong Kong.

Lee's father Lee Hoi-chuen was a famous Cantonese opera star. Because of this, Lee was introduced into films at a very young age and appeared in several short black-and-white films as a child. Lee had his first role as a baby who was carried onto the stage in the film Golden Gate Girl. By the time he was 18, he had appeared in twenty films.

The Green Hornet (1966-1967)

While in the United States from 1959 to 1964, Lee abandoned thoughts of a film career in favor of pursuing martial arts. However, a martial arts exhibition on Long Beach in 1964 eventually led to the invitation by William Dozier for an audition for a part in the pilot for "Number One Son". The show never aired, but Lee was invited for the role of Kato alongside Van Williams in the TV series The Green Hornet. The show lasted just one season, from 1966 to 1967. Lee also played Kato in three crossover episodes of Batman. This was followed by guest appearances in three television series: Ironside (1967), Here Come the Brides (1969), and Blondie (1969).

According to statements made by Lee, and also by Linda Lee Cadwell after Lee's death, in 1971 Lee pitched a television series of his own tentatively titled The Warrior, discussions which were also confirmed by Warner Bros. In a 9 December 1971 television interview on The Pierre Berton Show, Lee stated that both Paramount and Warner Brothers wanted him "to be in a modernized type of a thing, and that they think the Western idea is out, whereas I want to do the Western".According to Cadwell, however, Lee's concept was retooled and renamed Kung Fu, but Warner Bros. gave Lee no credit. Warner Brothers states that they had for some time been developing an identical concept, created by two writers and producers, Ed Spielman and Howard Friedlander. According to these sources, the reason Lee was not cast was in part because of his ethnicity, but more so because he had a thick accent. The role of the Shaolin monk in the Wild West, was eventually awarded to then-non-martial-artist David Carradine. In The Pierre Berton Show interview, Lee stated he understood Warner Brothers' attitudes towards casting in the series: "They think that business wise it is a risk. I don't blame them. If the situation were reversed, and an American star were to come to Hong Kong, and I was the man with the money, I would have my own concerns as to whether the acceptance would be there".

Producer Fred Weintraub had advised Lee to return to Hong Kong and make a feature film which he could showcase to executives in Hollywood. Not happy with his supporting roles in the United States, Lee returned to Hong Kong. Unaware that The Green Hornet had been played to success in Hong Kong and was unofficially referred to as "The Kato Show", he was surprised to be recognised on the street as the star of the show. After negotiating with both Shaw Brothers Studio and Golden Harvest, Lee signed a film contract to star in two films produced by Golden Harvest. Lee played his first leading role in The Big Boss (1971) which proved to be an enormous box office success across Asia and catapulted him to stardom.

He soon followed up with Fist of Fury (1972) which broke the box office records set previously by The Big Boss.

Fist of Fury (1972)

Having finished his initial two-year contract, Lee negotiated a new deal with Golden Harvest. Lee later formed his own company, Concord Productions Inc. (協和電影公司), with Chow. For his third film, Way of the Dragon (1972), he was given complete control of the film's production as the writer, director, star, and choreographer of the fight scenes.

The Way of The Dragon (1972)

In 1964, at a demonstration in Long Beach, California, Lee had met Karate champion Chuck Norris. In Way of the Dragon Lee introduced Norris to movie-goers as his opponent in the final death fight at the Colosseum in Rome, today considered one of Lee's most legendary fight scenes and one of the most memorable fight scenes in martial arts film history. The role was originally offered to American Karate champion Joe Lewis.

In late 1972, Lee began work on his fourth Golden Harvest Film, Game of Death. He began filming some scenes including his fight sequence with 7'2" American Basketball star Kareem Abdul-Jabbar, a former student.

The Gane of Death (1978)

Production was stopped when Warner Brothers offered Lee the opportunity to star in Enter the Dragon, the first film to be produced jointly by Golden Harvest and Warner Bros. Filming commenced in Hong Kong in February 1973. One month into the filming, another production company, Starseas Motion Pictures, promoted Bruce Lee as a leading actor in Fist of Unicorn, although he had merely agreed to choreograph the fight sequences in the film as a favor to his long-time friend Unicorn Chan. Lee planned to sue the production company, but retained his friendship with Chan. However, only a few months after the completion of Enter the Dragon, and six days before its 26 July 1973 release, Lee died.

Enter the Dragon would go on to become one of the year's highest grossing films and cement Lee as a martial arts legend. It was made for US$850,000 in 1973 (equivalent to $4 million adjusted for inflation as of 2007). To date, Enter the Dragon has grossed over $200 million worldwide. The film sparked a brief fad in martial arts, epitomized in songs such as "Kung Fu Fighting" and TV shows like Kung Fu.

Enter The Dragon (1973)

Robert Clouse, the director of Enter the Dragon, and Raymond Chow attempted to finish Lee's incomplete film Game of Death, which Lee was also set to write and direct. Lee had shot over 100 minutes of footage, including out-takes, for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. In addition to Abdul-Jabbar, George Lazenby, Hapkido master Ji Han-Jae and another of Lee's students, Dan Inosanto, were also to appear in the film, which was to culminate in Lee's character, Hai Tien (clad in the now-famous yellow track suit) taking on a series of different challengers on each floor as they make their way through a five-level pagoda.

In a controversial move, Robert Clouse finished the film using a look-alike and archive footage of Lee from his other films with a new storyline and cast, which was released in 1978. However, the cobbled-together film contained only fifteen minutes of actual footage of Lee (he had printed many unsuccessful takes) while the rest had a Lee look-alike, Kim Tai Chung, and Yuen Biao as stunt double. The unused footage Lee had filmed was recovered 22 years later and included in the documentary Bruce Lee: A Warrior's Journey.

Apart from Game of Death, other future film projects were planned to feature Lee at the time. In 1972, after the success of The Big Boss and Fist of Fury, a third film was planned by Raymond Chow at Golden Harvest to be directed by Lo Wei, titled Yellow-Faced Tiger. However, at the time, Lee decided to direct and produce his own script for Way of the Dragon instead.

Although Lee had formed a production company with Raymond Chow, a period film was also planned from September–November 1973 with the competing Shaw Brothers Studio, to be directed by either Chor Yuen or Cheng Kang, and written by Yi Kang and Chang Cheh, titled The Seven Sons of the Jade Dragon.

Lee had also worked on several scripts himself. A tape containing a recording of Lee narrating the basic storyline to a film tentatively titled Southern Fist/Northern Leg exists, showing some similarities with the canned script for The Silent Flute (Circle of Iron).

Another script had the title Green Bamboo Warrior, set in San Francisco, planned to co-star Bolo Yeung and to be produced by Andrew Vajna who later went on to produce First Blood. Photo shoot costume tests were also organized for some of these planned film projects.

Physical fitness

Lee was renowned for his physical fitness and vigorous, dedicated fitness regimen to become as strong as he possibly could.After his match with Wong Jack Man in 1965, Lee changed his approach toward martial arts training. Lee felt that many martial artists of his time did not spend enough time on physical conditioning. Lee included all elements of total fitness—muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He tried traditional bodybuilding techniques to build bulky muscles or mass. However, Lee was careful to admonish that mental and spiritual preparation was fundamental to the success of physical training in martial arts skills. In Tao of Jeet Kune Do, he wrote training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation. ... JKD, ultimately is not a matter of petty techniques but of highly developed spirituality and physique.

Lee was documented as having well over 2,500 books in his own personal library, and eventually concluded that "A stronger muscle, is a bigger muscle", a conclusion he later disputed. Bruce forever experimented with his training routines to maximise his physical abilities and push the human body to its limits. He employed many different routines and exercises including skipping rope, which served his training and bodybuilding purposes effectively.

Lee believed that the abdominal muscles were one of the most important muscle groups for a martial artist, since virtually every movement requires some degree of abdominal work. Mito Uyehara recalled that "Bruce always felt that if your stomach was not developed, then you had no business doing any hard sparring".

Lee trained from 7 am to 9 am, including stomach, flexibility, and running, and from 11 am to 12 pm he would weight train and cycle. A typical exercise for Lee would be to run a distance of two to six miles in 15 to 45 minutes, in which he would vary speed in 3–5 minute intervals. Lee would ride the equivalent of 10 miles (about 16 kilometres) in 45 minutes on a stationary bike.

Lee would sometimes exercise with the jump rope and put in 800 jumps after cycling. Lee would also do exercises to toughen the skin on his fists, including thrusting his hands into buckets of harsh rocks and gravel. He would do over 500 repetitions of this on a given day. An article of the S. China Post writes "When a doctor warned him not to inflict too much violence on his body, Bruce dismissed his words. 'the human brain can subjugate anything, even real pain' —Bruce Lee".

Philosophy

Lee is best known as a martial artist, but he also studied drama and philosophy while a student at the University of Washington. He was well-read and had an extensive library. His own books on martial arts and fighting philosophy are known for their philosophical assertions, both inside and outside of martial arts circles. His eclectic philosophy often mirrored his fighting beliefs, though he was quick to claim that his martial arts were solely a metaphor for such teachings. He believed that any knowledge ultimately led to self-knowledge, and said that his chosen method of self-expression was martial arts. His influences include Taoism, Jiddu Krishnamurti, and Buddhism.

On the other hand, Lee's philosophy was very much in opposition to the conservative world view advocated by Confucianism. John Little states that Lee was an atheist. When asked in 1972 about his religious affiliation, he replied, "none whatsoever". Also in 1972, he was asked if he believed in God, and he responded, "To be perfectly frank, I really do not".

The following quotations reflect his fighting philosophy.

"Be formless... shapeless, like water. Now you put water into a cup, it becomes the cup. You pour water into a bottle; it becomes the bottle. You put water into a teapot; it becomes the teapot. Now water can flow, or creep or drip or crash! Be water, my friend..."
"All types of knowledge, ultimately leads to self-knowledge"
"Use only that which works, and take it from any place you can find it".
"Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there".
"Quick temper will make a fool of you soon enough".
"I always learn something, and that is: to always be yourself. And to express yourself, to have faith in yourself. Do not go out and look for a successful personality and duplicate him".

"It's not the daily increase but daily decrease. Hack away at the unessential"

Films

Year	Film	Role	Notes
1969	Marlowe	Winslow Wong
1971	The Big Boss	Cheng Chao-an	Also known as Fists of Fury
1972	Fist of Fury	Chen Zhen	Also known as The Chinese Connection
1972	The Way of the Dragon	Tang Lung	Also known as Return of the Dragon
1973	Enter the Dragon	Lee	Released posthumously
1978	Game of Death	Billy Lo	Released posthumously
1981	Game of Death II	Billy Lo	Released posthumously (Stock footage)

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Bruce Lee

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